This study compared eye movements during the reading of authentic prose and poetry with and without enjambment presented in their original layout and in a manipulated layout. We hypothesised that we would find differences in reading patterns on the basis of the layout in which the text was presented. We indeed found differences in reading pattern between prose and poetry, poetry with and withou...

Hegel's view of poetry clarifies the overall role of language in his system and allows him to makes sense of a difficult linguistic issue: how to distinguish between poetry and prose. For Hegel, this distinction is crucial because it illuminates the different ways poetry and prose allow us to understand ourselves as members of an ethical community. In this paper, I argue, using Hegel, that the ...

'Poetry' and 'prose' are categories which are normally used to distinguish the two main types of discourse in language. But there is some debate whether this division is helpful and valid when applied to the discourse of the Hebrew Bible. Whereas most scholars accept the validity of the two categories, Kugel (1981) has argued forcefully that the category of poetry is a misleading imposition of ...

Rhythm is expressed by recurring, hence predictable beat patterns. Poetry in many languages is composed with attention to poetic meters while prose is not. Therefore, one way to investigate speech rhythm is to evaluate how prose reading differs from poetry reading via a quantitative method that measures predictability. We use linear regression to predict the acoustic properties of segments from...

A research project on timing relations in prose, poetry and music is outlined. In order to gain a deeper understanding of speech prosody, a comparison will be made of timing relations in such activities as reading of poetry and music performance, where there usually is a strong and obvious rhythmic patterning of the produced sound sequences. Also there are interesting parallels to be drawn by c...

CONCEPTIONS OF THE POETIC IN CLASSICAL GREEK PROSE Alison C. Traweek Dr. Sheila Murnaghan This dissertation explores how prose authors of the Classical period envisioned literary distinctions, particularly how and when they labeled a particular utterance ‘poetic’. The first chapter addresses fifth-century prose authors whose work survives in significant degree (Herodotus, Thucydides), or whose ...

This essay considers some problems in philosophical approaches to poetry. Philosophers’ accounts of what poetry is are often ill informed. They tend to select, as essential, features that can also characterize prose works: conspicuous metaphoricity, imagination, fictionality, and so on. This essay considers instead a humbler term: verse. It argues that the constraints on language implied by com...

OETRY is not only central in the title, but for the study of the Hebrew Bible. There is no intention here of disvaluing the prose of the Bible, which constitutes the first major literary composition in that medium ever produced, so far as I am aware, whether we speak of the so-called Court History and the J source of the Pentateuch of the 10th century B.C., or the composite whole which we may c...

Memory for details of text generally declines relatively rapidly, whereas memory for propositional and context-based meanings is generally more resilient over time. In the present study, we investigated short-term memory for two kinds of verbal material: prose and poetry. Participants heard or read prose stories or poems in which aphrase near the start of the passage served as a target. The tex...

Prosodie relations in prose, poetry and music are discussed with an emphasis on durational properties. In order to gain a deeper understanding of speech prosody, we are presently engaged in a comparison of the timing relations in such activities as the reading of poetry and music performance, where there usually is a strong and obvious rhythmic patteming of the produced sound sequences. Also th...