The Formenlehre (theory of the musical form), inaugurated by Adolf Bernhard Marx after Beethoven's death and witnessed several treatises at end nineteenth beginning twentieth centuries, has left traces in writings works Béla Bartók, Alban Berg, Paul Hindemith, Arnold Schoenberg Anton Webern. Chamber music (especially string quartets) is area which dialogue with past most tangible. adoption trad...

The music example from Acht Stücke by Paul Hindemith appears Preface This study introduces some approaches to computer-based and other highly formalized methods for analysing form in time-dependent, music-based data. The data in question are defined as a stream of events (elements, signs, samples) that constitute a time series, and contain such structural cues in time which can be experienced a...

this article addresses the opera “matthias the painter” by paul hindemith and the analysis of his symphony with the same name. the emphasis is on the social and artistic life of mathias grünewald (who was a painter and a renaissance artist) and how the events around him affected his works. this article attempts to show that expressionism in painting does not exclusively belong to the early twen...

A evolução da linguagem musical em Hindemith e Schönberg, dois pólos europeus de Berlim Viena, alguma forma se enraizou numa vertente comum nas obras início do séc. XX, pela conexão ao movimento expressionista. Embora assumindo formas diferentes nos compositores, o direcionamento via um crescente atonalismo acompanhou a integração estética expressionista, com temas introspecção freudiana, sendo...

In this note we shall present a very short proof of the existence of Green's function for Laplace's equation for any domain with sufficiently smooth boundary in any number of independent variables. The proof is based on the continuous dependence of solutions of Laplace's equation on their boundary values. It is a modification of a proof given by Paul Garabedian, see [l]; the difference between ...