نتایج جستجو برای: metropolitan museum of art

تعداد نتایج: 21181328  

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums of the globe. zagros mountains, lorestan province locating at the heart of that, are not only the same, but are more prominent than other iranian regions. you can not find someone who does not know what the lorestani bronzes are, and there is no museum that not be pride of having a piece of that. the said bronzes which are manufactured four millenniums b.c. are admired nearly by all those researchers because of their beauty, diversity and technique. lorestani artistic works including stone engraves, bronzes and clays, show an ideal and metaphysical world beside real world which explain mental system of human beings on that era against sensations and phenomena happening around them. men main mental occupation on that time was he unknown world which had surrounded them, and they used to use the religion to fight life’s natural factors, and art was a tool of religious and mythical painting which was far from reality and had entered into the abstract domain. as natural objects have become subjects of lorestani art, it cleanses them from any non – intrinsic limitations and external factors which surround them and darken their meanings, and just shows their main specifications. artist in the said civilization is not searching for realism. although these are few works showing the nature, but in effect there is no wish to imitate touchable factors of the nature, and artist has turned real phenomena to encoded signs as per his own mentality. this procedure is called stylization.

پایان نامه :دانشگاه آزاد اسلامی - دانشگاه آزاد اسلامی واحد تهران مرکزی - دانشکده هنر و معماری 1391

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums...

Journal: :هنرهای تجسمی 0
علیرضا هژبری نوبری دانشیار گروه باستان¬شناسی، دانشکده علوم انسانی ، دانشگاه تربیت مدرس ماهیار طاووسی دانشجوی دکتری باستان¬شناسی، دانشکده علوم انسانی، دانشگاه تربیت مدرس محمود طاووسی استاد گروه پژوهش هنر ، دانشکده هنر و معماری ، دانشگاه تربیت مدرس فرهنگ خادمی ندوشن دانشیار گروه باستان¬شناسی، دانشکده علوم انسانی، دانشگاه تربیت مدرس

one of the important features of achaemenid art is the repetition of almost similar motifs and their consistency during this lengthy era. consequently, a large number of researchers consider the presence of the constant and pre-conceived patterns as necessity for stonecarving, sculptors and metalworkers. apparently, this coordination arising from similar repeated patterns is visible in the acha...

2012
Robert Gore Rifkind Ilene H. Forsyth Isabella Stewart

Benefactors ($2000 and above) Carnegie Corporation Fund Harvard University, Deparunent of History of Art and Architecture Institute of Fine Arts, New York University The Metropolitan Museum of Art National Gallery of Art Philadelphia Museum of Art P~inceto.n U~iversity, Department of Art and Archaeology Rice UmversJty, Department of Art History Robert Gore Rifkind Foundation Solow Art and Archi...

Journal: :The New Review of Hypermedia and Multimedia 2006
Jennifer Trant

Documentation of art museum collections has been traditionally written by and for art historians. To make art museum collections broadly accessible, and to enable art museums to engage their communities, means of access need to reflect the perspectives of other groups and communities. Social Tagging (the collective assignment of keywords to resources) and its resulting Folksonomy (the assemblag...

2016
Erika Gebel Berg

E ric Breitung is a Ph.D. chemist at the Metropolitan Museum of Art. Since moving into the world of art conservation after a job in industry, he has studied the dye chemistry of central Asian textiles, worked to find new ways to test degraded audio tapes for playability, and devised better coatings for silver museum piecesall using analytical techniques and other chemical lab methods. He spoke...

ژورنال: مدیریت شهری 2016
Banaei Yeganeh, Parvin, Sattari Sarbangoli, Hassan,

Due to universal importance of Tabriz carpet art and presence of specific indicators and motifs in Tabriz carpet art and its potentials, existence of architectural site for representing this art as carpet art museum in Tabriz is necessary. The site of this project is located adjacent to Tabriz Blue Mosque near the museum historical site. It is essential to consider the historical elements and c...

Proving the influence of the Chinese pictorial tradition on Iranian art after the rule of the Mongol patriarchs has become an undeniable theory among researchers. The existence of dragons, ivy and ivy forms have been attributed to the Chinese; But this article adopted a different approach. Based on the belief that this world is the world of texts, he intends to read a sub-text of the large text...

Journal: :CoRR 2017
Luke Harold Miles

Hello class, The Metropolitan Museum of Art has a sudden shortage of sculptures and needs several new ones to fill its shelves. Please break into groups so that each group can build a Lego tower. The director of the museum will be here in an hour to pick up the towers and put them in the museum with your names on them. Please do the best job you can; you don’t want to be professionally embarras...

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