نتایج جستجو برای: iranian popular cinema

تعداد نتایج: 152840  

Journal: :جامعه شناسی هنر و ادبیات 0
محمد مهدی مولایی کارشناس ارشد مطالعات فرهنگی و رسانه، دانشگاه تهران حسین کرمانی دانشجوی کارشناسی ارشد علوم ارتباطات اجتماعی، دانشگاه تهران

in this article we study the attitudes of iranian cinema audience toward popular films. affected by classic elite cultural theories, popular culture and consumers of popular culture have been humiliated for many years. according to this theories, audience of popular magazines, popular music, popular films and other popular culture products, have been considered as passive victims. cultural stud...

Journal: :مطالعات فرهنگی و ارتباطات 0

iranian popular films, as a type of national culture, are consumed vastly iran. although they are neglegted in common cultural studies is iran, according to recent culture theories , they are some cultural texts including the ideological cods that they have an important role in the constrution of collective social perception. therefore, a quastion that can be addressed is what the narrative and...

Journal: :تحقیقات فرهنگی ایران 0
اعظم راودراد استاد علوم ارتباطات اجتماعی، دانشکده علوم اجتماعی، دانشگاه تهران بهارک محمودی دانشجوی دکتری علوم ارتباطات اجتماعی، دانشکده علوم اجتماعی، دانشگاه تهران

this paper aims to study the imagination of tehran through 1340s and 1350s iranian cinema and the main question is that what kind of representation on city was fueled by cinema. this study was conducted based on analysis of four impressive films in these two decades. two of them are popular movies (ganje gharoon and khater khah) and the two other (khesht-o ayeni and ragbar) are related to avant...

Journal: :Quarterly Review of Film and Video 2021

This article refers to:Retracted Article: Transformation of Non/Revolutionary Themes in Iranian Cinema: 1980s–2000s

Journal: :American Journal of Islam and Society 2010

Journal: :جامعه شناسی هنر و ادبیات 0
طاهره رحیمی روزنامه نگار اعظم راودراد عضو هیات علمی دانشکده علوم اجتماعی دانشگاه تهران

abstractin this article, iranian society in the 80s is analyzed in terms of its prevailing insights using the theory of reflection in the sociology of cinema. this theory, which considers art as a mirror for society, permits researcher to study the predominant perceptions of the period under investigation. this is done through assessment of the image of hero shown in its cinema. moreover, the g...

evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was se...

Journal: :هنرهای نمایش و موسیقی 0
اسدالله غلامعلی کارشناس ارشد ادبیات نمایشی، دانشکده هنر و معماری، دانشگاه تربیت مدرس علی شیخ مهدی استادیار، گروه انیمیشن و سینما، دانشکده هنر ومعماری، دانشگاه تربیت مدرس،

the iranian “new wave” filmmakers started to pay attention to social changes during the pahlavi regime. imperial pahlavi successfully suppressed his political oppositions in decade of 1332-1342 (hijri shamsi) and spread a social reform during the following decades in 40’s to 50’s. the iranian cinematic movement that was called new wave by some persian film critics because of its similarly to th...

ژورنال: پژوهش های فلسفی 2017

Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...

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