Chinese ink painting is a traditional art that is over three thousand years old. It is a type of non-photorealistic rendering. However, research on Chinese ink painting is scarce. Simulating the behavior of Chinese ink is challenging work because ink moves in a complex manner. This paper presents a new method for simulating ink diffusion based on observation and analysis. The proposed method ca...

This paper presents a novel Chinese calligraphy and painting system, which serves as an expressive vehicle for interactively creating Chinese traditional calligraphy and ink-wash painting works. We developed a brush model which gives the user natural control of complex brush strokes. This model enhances the realistic sense of the user’s manipulating the pen with the pressure sense. We also deve...

It describes each component element of Chinese ink painting in detail. Firstly, this paper presents brush emulation based on physical calculation. The brush model comprises a spine skeleton wrapped up a smooth surface which can be deformed through constrained energy minimization. The model can bend the skeleton and change the shape of the tuft when there is a force applied on the brush. Then, i...

the suppression of color is a common mood in the far eastern aesthetic experience, which is best represented by the brush-ink chinese painting. influenced by the taoist and confucian philosophical doctrines, it reflects the traditional principles of loneliness, poverty, and simplicity. visualizing the chinese traditional dualism, the black and white system goes beyond an artistic style and rese...

Cao, Muning. M.S., Purdue University, May 2016. A Study Of How Chinese Ink Painting Features Can Be Applied To 3D Scenes And Models In Real-time Rendering. Major Professor: Tim McGraw. Past research findings addressed mature techniques for non-photorealistic rendering. However, research findings indicate that there is little information dealing with efficient methods to simulate Chinese ink pai...

A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing dire...

d for more than three thousand years, Chinese painting emphasizes "implicit meaning", and painters’ using a minimal number of brush strokes to express their deepest feelings. Landscapes of the most important themes in Chinese painting. Trees are the essential painting objects. This resents a set of novel methods to automatically draw trees in Chinese ink painting from 3D al models. Outline rend...

Suibokuga is a style of monochrome painting characterized by the use of Chinese black ink (sumi), a complex interaction between brush, ink and paper, and such visual features as Noutan (shade), Kasure (scratchiness), and Nijimi (blur). In this paper we present a simple behavioural model of water and ink particles based on a 2D cellular automaton computational model, and its application to a Sui...

This paper presents an artistic rendering system for generating 3D images of Chinese paintings using graphics hardware. The user can adjust suitable parameters flexibly to generate different brush styles as his/her hobby, and see rendering results in real time. In this system, we propose a hardware-accelerated method to draw Chinese painting strokes efficiently along visible silhouettes. Three-...

Landscapes have been the main theme in Chinese painting for over one thousand years. Chinese ink painting is a form of nonphotorealistic rendering. Terrain is the major subject in Chinese landscape painting, and surface wrinkles are important in conveying the orientation of mountains and contributing to the atmosphere. Over the centuries, masters of Chinese landscape painting have developed var...