Arts can be counted as a base for evolution of culture that causes the growth and flowering of society and its people. The observations indicate that the artistic and cultural activities can have a considerable contribution to the economy. Comparing with other artistic and cultural productions, Cinema with its special characteristics can play an important role in economics of arts. During two r...

evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was se...

Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...

This paper studies the role of the semiotic discussions of Charles Sanders Peirce, the American philosopher and mathematician, in the formation of Deleuze’s first leading book on cinema, Cinema 1: the Movement-Image,in whichthe author surpasses Peirce’s semiotics. We will show how Deleuze creates a new form of signs in his second leading book on cinema, Cinema 2: the Time-Image. Deleuze had tri...

Going to the cinema is one of the needs of the blind population of Iran. Due to the limitations of the blind, these people use this cultural opportunity in a limited way and with special conditions. The purpose of this study is to understand the meanings of the lived experience of the blind from the cinema. To interpret the experience, Van Menen's Method of interpretive phenomenology was used. ...