نتایج جستجو برای: image and cinema

تعداد نتایج: 16881924  

ژورنال: پژوهش های فلسفی 2012
موسی اکرمی, گلناز منطقی فسایی

This paper studies the role of the semiotic discussions of Charles Sanders Peirce, the American philosopher and mathematician, in the formation of Deleuze’s first leading book on cinema, Cinema 1: the Movement-Image,in whichthe author surpasses Peirce’s semiotics. We will show how Deleuze creates a new form of signs in his second leading book on cinema, Cinema 2: the Time-Image. Deleuze had tri...

ژورنال: پژوهش های فلسفی 2017

Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...

ژورنال: :مجله پژوهشهای فلسفی دانشگاه تبریز 2012
گلناز منطقی فسایی موسی اکرمی

this paper studies the role of the semiotic discussions of charles sanders peirce, the american philosopher and mathematician, in the formation of deleuze’s first leading book on cinema, cinema 1: the movement-image,in whichthe author surpasses peirce’s semiotics. we will show how deleuze creates a new form of signs in his second leading book on cinema, cinema 2: the time-image. deleuze had tri...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه سمنان - دانشکده مدیریت و اقتصاد 1392

these days, all department stores make an effort to provide their clients with valuable products in order to project the best image for them. as a result, clients’ comprehension risk will decrease and they will be more willing to repurchase. having a good image is really important for the department stores because it makes an impression on clients’ comprehension of both quality and risk. consid...

Journal: :هنرهای نمایش و موسیقی 0
علی فتح طاهری دانشیار گروه فلسفه، دانشگاه بین المللی امام خمینی، قزوین، ایران مهرداد پارسا دانش آموختة دورة کارشناسی ارشد رشتة فلسفه، دانشگاه بین المللی امام خمینی، قزوین، ایران

in addition to his revolutionary philosophy and his fundamental criticism on psychoanalysis to which he owes his fame, gilles deleuze, the great philosopher, devotes an important part of his thought to formulating the ontology of cinematic image and hence turned out to be known as the only philosopher of cinema. thanks to the multiple classifications of images and creating philosophical concept...

2002
Alexei Nikolaev

Digital cinema (d-cinema) is the highest quality electronic motion imagery for entertainment. The cinema is presented in a theatrical environment, with high brightness projectors, high rate data transfer, and high resolution color imagery. The entertainment industry uses formats that are specific to film-based electronic imagery. This report describes software tools for viewing digital cinema s...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه بیرجند - دانشکده علوم انسانی 1390

in solvo-hydrothermal method, xrd pattern was indicated presence of intermediate of ammonium octatmolybdate and ammonium tetramolybdate, which were changed to stble phase of ?-moo3 annealing. sem images were indicated nanoparticle with semispheical morphology and tem image was demonstrated nanoparticles with a diameter size of 25nm. also in impregnate method. the xrd pattern was shown high crys...

Journal: :the international journal of humanities 2010
mohammad jafar yousefian kenari mostafa mokhtabad-amrei

kiarostami’s unfinished cinema emphasizes the importance of audiences’ involvement in a movie by using postmodern images. some essential points of critically reading his, so-called half-created cinema, could be summarized as self-reflexive style, diagrammatical perspectives, in-between narratives,and individual minimalism. the main postmodern achievement of this cinema is focusing on the proces...

2004
Amy Herzog

Gilles Deleuze, in his two books on film, Cinema 1: The Movement-Image and Cinema 2: The Time-Image, proposes a revolutionary approach to film theory. Drawing on Deleuze's own philosophy of repetition and difference and the work of Henri Bergson, the Cinema books extend these theories to foreground those aspects that are most essential to the medium: that film unfolds in time, and is comprised ...

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