نتایج جستجو برای: historical and symbolic meanings

تعداد نتایج: 16844053  

ژورنال: گلجام 2009
شایسته‌فر, مهناز, صباغ‌پور آرانی, طیبه,

Since long ago the motif of “fish” has been one of the motifs employed in Persian artworks. As well as having extraordinary beauty of form, fish has deep symbolic meanings and has motivated Persian artists of different ages to employ it in their works. Rugs of Safavid era are among such artworks. Both in ancient Iranian mythology and also in Islamic culture, fish has enjoyed a signi...

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums of the globe. zagros mountains, lorestan province locating at the heart of that, are not only the same, but are more prominent than other iranian regions. you can not find someone who does not know what the lorestani bronzes are, and there is no museum that not be pride of having a piece of that. the said bronzes which are manufactured four millenniums b.c. are admired nearly by all those researchers because of their beauty, diversity and technique. lorestani artistic works including stone engraves, bronzes and clays, show an ideal and metaphysical world beside real world which explain mental system of human beings on that era against sensations and phenomena happening around them. men main mental occupation on that time was he unknown world which had surrounded them, and they used to use the religion to fight life’s natural factors, and art was a tool of religious and mythical painting which was far from reality and had entered into the abstract domain. as natural objects have become subjects of lorestani art, it cleanses them from any non – intrinsic limitations and external factors which surround them and darken their meanings, and just shows their main specifications. artist in the said civilization is not searching for realism. although these are few works showing the nature, but in effect there is no wish to imitate touchable factors of the nature, and artist has turned real phenomena to encoded signs as per his own mentality. this procedure is called stylization.

پایان نامه :دانشگاه آزاد اسلامی - دانشگاه آزاد اسلامی واحد تهران مرکزی - دانشکده هنر و معماری 1391

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums...

ژورنال: پژوهش هنر 2016

In traditional Persian Art, everything is esoteric. It means that any semblance used to refer to an abstaract meaning in a higher realm. Recognition the ideology affecting the arts is necessary to understand the language of Persian Art. The aim of this study is to investigate the structure and language of expression trees, due to the long history of symbolic role of trees in art. In this regard...

ژورنال: پژوهش هنر 2020

In a wide range of fabrics attributed to Sasanian era, animal motifs are observable in the form of geometric designs, including medallions. The case study in the present paper concerned animal motifs of Sassanid textiles with a focus on natural and non-domesticated animals that were able to be depicted in the form of a Medallion design alone and without the presence of a hunter. According to th...

پایان نامه :دانشگاه تربیت معلم - تهران - دانشکده علوم انسانی 1390

abstract al- muntazam by ibn al -jawzi is one of the greatest the book ancient book of texts on history of islam in the 6th century.it is very important one;because of including rare reports which are not found any where.in addition to historical reports,his outlook , in which embodies information on mythologies, milal wa nihal (sects and creeds), geography, and political, social and religiou...

ژورنال: گلجام 2010
آیت اللهی, حبیب اله, افهمی, رضا, فرشیدنیک, فرزانه,

Various Persian traditional arts can be understood as different aspects of a unique concept. All of them represent substantial meanings which root in both Islamic and Iranian beliefs. The symbolic language of these arts and the ability of being expressed in various arts let artists to choose proper methods for their work. Rug and architecture are the most important Persian arts and two aspects ...

پایان نامه :دانشگاه بین المللی امام خمینی (ره) - قزوین - دانشکده مهندسی معماری و شهرسازی 1388

nowadays,tourism industry considered as one of the main sources of income of a country.unfortunately and despite of owning plenty of cultural historical and natural attractions, iran has not reached to a proper position in this field. besides, the historical cities of a country are considered as the income resource and national wealth of it. qazvin with a rich cultural precedent, have suitable ...

Abstract Position is a part of space whose identity is defined based on the features of on which it is located and it is a space that is meaningful for a person or some people. Regarding the houses with historical identity and revival of them which are symbolic phenomena is essential. The question raised up here is how the process and humane conformist activities with constructive body are ...

Journal: :دراسات فی اللغه العربیه و آدابها 0
وفیق سلیطین جامعة تشرین راما محمود جامعة تشرین

the musical symbol is one way of expression among many other ways. it doesn`t directly correspond with meaning or reality. rather, it provides images that are representative of the original. however, symbols goes beyond this and provide deep significant symbolic meanings and visions. mystical poetry has a complex intellectual structure, particularly in arabic and persian literature. hence, musi...

Journal: :Project Baikal 2021

The article presents the author’s phenomenological study of emptiness with regard to urban space. Studying cases three historical cities, author analyses meanings coming out against background fatal external threats. notion is introduced into symbolic and semiologic discourse city.

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