نتایج جستجو برای: has a set of qajar era architectural art including tile

تعداد نتایج: 23326888  

Journal: :هنرهای تجسمی 0
فیروز مهجور استادیار گروه باستان شناسی ، دانشکده ادبیات و علوم انسانی، دانشگاه تهران میثم علیئی دانشجوی دکتری باستان¬شناسی (گرایش اسلامی)، گروه باستان شناسی، دانشکده علوم انسانی، دانشگاه تربیت مدرس

the sepah-salar complex, including the mosque and the school, has a set of qajar era architectural art including tile-work, painting, inscription, stucco, woodwork and carpentry. the complex was made and endowed by hossein khan, known as sepah-salar (1241-1298 a.h/ 1825- 1882 a.d). he employed the best and the most famous artists and architectures of his era using his own asset. the inscription...

Journal: :مدیریت شهری 0
mehdi saadati khamseh

the political and social system involved in the limbo between tradition and modernity of the qajar era caused widespread and quick developments in iranian culture, art, and architecture as well as a challenge between tradition and modernity. relatively numerous palaces built in this era were signs of greatness and distinction-seeking of the qajar kings and aristocrats, who embraced all transfor...

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums of the globe. zagros mountains, lorestan province locating at the heart of that, are not only the same, but are more prominent than other iranian regions. you can not find someone who does not know what the lorestani bronzes are, and there is no museum that not be pride of having a piece of that. the said bronzes which are manufactured four millenniums b.c. are admired nearly by all those researchers because of their beauty, diversity and technique. lorestani artistic works including stone engraves, bronzes and clays, show an ideal and metaphysical world beside real world which explain mental system of human beings on that era against sensations and phenomena happening around them. men main mental occupation on that time was he unknown world which had surrounded them, and they used to use the religion to fight life’s natural factors, and art was a tool of religious and mythical painting which was far from reality and had entered into the abstract domain. as natural objects have become subjects of lorestani art, it cleanses them from any non – intrinsic limitations and external factors which surround them and darken their meanings, and just shows their main specifications. artist in the said civilization is not searching for realism. although these are few works showing the nature, but in effect there is no wish to imitate touchable factors of the nature, and artist has turned real phenomena to encoded signs as per his own mentality. this procedure is called stylization.

پایان نامه :دانشگاه آزاد اسلامی - دانشگاه آزاد اسلامی واحد تهران مرکزی - دانشکده هنر و معماری 1391

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums...

      The polychrome tile work of the Qajar era reveals the identical illustration, which has a different artistic style comparing to former eras. Shiraz tile makers of this period provide polychrome tiles with specific features according to costumes and public folklore and established Shiraz school of painted tile work. This article concentrates on the decorated tile work of an archway at the ...

ژورنال: مدیریت شهری 2017
Saadati Khamseh, Mehdi ,

The political and social system involved in the limbo between tradition and modernity of the Qajar Era caused widespread and quick developments in Iranian culture, art, and architecture as well as a challenge between tradition and modernity. Relatively numerous palaces built in this era were signs of greatness and distinction-seeking of the Qajar kings and aristocrats, who embraced all transfor...

پایان نامه :دانشگاه تربیت معلم - تهران - دانشکده فنی 1393

a problem of computer vision applications is to detect regions of interest under dif- ferent imaging conditions. the state-of-the-art maximally stable extremal regions (mser) detects affine covariant regions by applying all possible thresholds on the input image, and through three main steps including: 1) making a component tree of extremal regions’ evolution (enumeration), 2) obtaining region ...

  Architecture at any given time has been subject to conditions governing society. Similarly, the Qajar era is no exception. Since the beginning of cultural relations with the European countries in the middle of the Qajar era, Iranchr('39')s art and architecture have also entered a new stage. At this stage, the tradition is mixed with modernism and the physical elements of the building are cha...

Journal: :معماری و شهرسازی آرمان شهر 0
lida balilan asl assistant professor, department of art & architecture, college of architectur, islamic azad university, tabriz branch, tabriz, iran. maryam nouri lecturer at islamic azad university, parand branch, department of art and architecture, college of architectur, tehran, iran. dariyush sattarzadeh assistant professor, department of art & architecture, college of architectur, islamic azad university, tabriz branch, tabriz, iran.

iranian traditional cities were created with a system based on experiments and gradual establishment of society through time. qajar era is especially important in iranian art history. until mid qajar era, iranian cities’s architecture mainly took benefit of its common traditional architecture that is already seen in most desert-surrounding cities. till this era, there was not any connection bet...

Journal: :زن در فرهنگ و هنر 0
عفت السادات افضل طوسی استادیار و عضو هیئت علمی دانشکدۀ هنر دانشگاه الزهرا(س) گلناز سلاحی کارشناس ارشد هنر اسلامی، مدرس دانشکدۀ هنر دانشگاه سمنان لادن سلاحی کارشناس ارشد ارتباط تصویری، مدرس دانشگاه ارم شیراز

the art of qajar period includes many unique features and themes. one of the most exceptional features of qajar artworks (painting on tiles) is women motifs depicted at semiprivate and private spaces, at houses of nobilities, and palaces. qajar women in these paintings interact with foreign women’s identity and they have shown a new face of iranian women. the archi-myth of qajar period is inclu...

ژورنال: پژوهش هنر 2018

During the Qajar era in the Kermanshah city, as an important city and the center of the government eldest son of Naseroddin shah, Mohammad Ali Mirza has made spectacular monuments including mosques with beautiful and special decorative features. In this study, an attempt was made, focusing on two mosques Dolatshah and Haj Shhbazkhan, the most important religious monuments of this period in Kerm...

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