In this paper, we show to what extent traditional theatre staging is based on a formal approach of similarity using a dramaturgical ontology and instanciation variations. Drawing our inspiration from the opposite approach through interactive data mining, we hereby account for theatre and opera researches using computers as actor partners to escape a priori specification.

In this paper, the social constructivist’s dramaturgical model of personality is used to define the field of artificial personality for embodied agents. The dramaturgical model views personality from three perspectives: that of the actor (which is concerned with the internal organization of personality and its expression), that of the observer (which is concerned with the perception and interpr...

This article addresses a university course in performance art at UiT – The Arctic University of Norway. aim this is to discuss how the exercises and dramaturgy matter. author teacher thus diffractive analysis informed by her role as artist-researcher. study uses new material feminist theory agential realism from physicist theorist Karen Barad. investigates become agents get constitutive power. ...

The article offers the development of complex methodology for study speech behavior intelligentsia characters. material research is plays and screenplays 60–80s 20th century by Soviet authors such as Valentin Azernikov, Alexei Arbuzov, Vladimir Arro, Emil Braginsky Eldar Ryazanov, Alexander Vampilov, Volodin Leonid Zorin, others. considers methodological approaches to literary characters belong...

The dramaturgical method has been used to analyse teaching and didactic contexts, but the is not adequately described or established in such contexts. In this article we use dramaturgy as a lens for describing analysing teaching. examples are taken from professional workshop where student teachers their instructors teach Norwegian 7th grade pupils. examines how place classroom research. shows a...