this paper studies the role of the semiotic discussions of charles sanders peirce, the american philosopher and mathematician, in the formation of deleuze’s first leading book on cinema, cinema 1: the movement-image,in whichthe author surpasses peirce’s semiotics. we will show how deleuze creates a new form of signs in his second leading book on cinema, cinema 2: the time-image. deleuze had tri...
