نتایج جستجو برای: but the sogdian artists prefer mural paintings

تعداد نتایج: 16103960  

Journal: :هنرهای تجسمی 0
ابوالقاسم دادور دانشیار دانشکده هنر، دانشگاه الزهراء، محمد معین¬الدینی دانشجوی دکتری پژوهش¬هنر، دانشکده هنر، دانشگاه شاهد الهام عصارکاشانی دانشجوی دکتری پژوهش هنر، دانشکده هنر، دانشگاه الزهراء

by regarding the rest of pictorial and written documents of sassanid and sogdian art – sogdiana was one of the states under the supervision of sassanid emperors at many different period - this research is going tosurvey the effects of sassanid art on the sogdian mural paintings; the statistic category of this research is 3 sample of sassanid stone relief and mural painting as well as 6 sample o...

2012
SEAN H. K. KANG HAROLD PASHLER

Copy Summary: Repetitions that are distributed over time benefit long‐term retention more than when massed. Recent research has suggested that the advantage of spacing may extend to induction learning–learners were better able to identify the artists of previously unseen paintings when, during training, artists’ paintings were spaced (paintings by different artists were interleaved) rather than...

2013
Shigeru Watanabe

I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian) in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphin...

Journal: :هنرهای تجسمی 0
مینا صدری استادیار گروه نقاشی و مجسمه سازی، دانشکدۀ هنرهای تجسمی، پردیس هنرهای زیبا، دانشگاه تهران، تهران، ایران

illustrated shahnama of shah tahmasp, manuscript of1538ad and one ofsafvidperiodemasterpiece in persian painting,composed of 258 paintings. illustrators for stories painting, sometimes have chosen several time and place of a story to illustrate and have created a namber of works. fereydoun, zahak, siavash, zal, anoushiravan and kaykhosro stories are like this. some of these paintings have image...

2016
Yan Bao Taoxi Yang Xiaoxiong Lin Yuan Fang Yi Wang Ernst Pöppel Quan Lei

Western and Chinese artists have different traditions in representing the world in their paintings. While Western artists start since the Renaissance to represent the world with a central perspective and focus on salient objects in a scene, Chinese artists concentrate on context information in their paintings, mainly before the mid-19th century. We investigated whether the different typical rep...

ژورنال: پژوهش هنر 2022

Akhawan-e-Haghighi house in Isfahan, which is a building belong to the late Safavid to early Qajar period, contains a significant collection of wall paintings. Single color azure painting on the surface of stucco, which is one of the traditional examples of mural painting, can also be seen in this building. Both in terms of number and size and in terms of the subject matter of the paintings of ...

2015
Naoko Koide Takatomi Kubo Satoshi Nishida Tomohiro Shibata Kazushi Ikeda

When viewing a painting, artists perceive more information from the painting on the basis of their experience and knowledge than art novices do. This difference can be reflected in eye scan paths during viewing of paintings. Distributions of scan paths of artists are different from those of novices even when the paintings contain no figurative object (i.e. abstract paintings). There are two pos...

Journal: :Spatial vision 2007
Daniel J Graham David J Field

Paintings are the product of a process that begins with ordinary vision in the natural world and ends with manipulation of pigments on canvas. Because artists must produce images that can be seen by a visual system that is thought to take advantage of statistical regularities in natural scenes, artists are likely to replicate many of these regularities in their painted art. We have tested this ...

This paper presents the results of the Identifying the binder and pigments used in the mural paintings in RahimAbad Historic Garden and Mansion in Birjand. Birjand was one of the most important governmental strategic cities in Qajar era (1789–1925A.D) and an important branch area of ancient Silk Road which connected India to Europe. Though many monuments, especially historical gardens rem...

Journal: :پژوهش های ایران شناسی 0
یاسر حمزوی دانشجوی دکتری دانشگاه هنر اصفهان حسین احمدی دانشیار دانشگاه هنر اصفهان رسول وطن دوست استادیار دانشگاه آزاد واحد تهران

there are specific forms of mural paintings in some iranian churches that are different from other usual wall paintings in materials, methods as well as implementation techniques. unfortunately, these mural paintings are not studied until now. the aim of this paper is the identification of history of development, and used materials and techniques in these historic paintings by field and literat...

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