morrison’s song of solomon could be viewed as a paragon of trauma fiction. since no narrative of trauma can be told in a linear way, morrison tries to depict the overwhelming power of trauma through a non-linear narrative, episodic delivery, and flashbacks. accordingly, the readers are compelled to concoct the disjointed and fragmented memories in order to solve the riddle of the text, in which...

This article frames the history of anticolonialism in Arab world as a gender, sex, and power. By thinking with early twentieth-century intellectuals, it revises assumption that heterosexual body enters into politics primarily site regulation control. Europeans justified colonialism East by arguing Arabs were like children who needed tutelage before self-rule. writers contested these temporal as...

Critics agree that Sarah Waters’ fourth novel, The Night Watch (2006), marks a turn in her fiction, away from the farcical tone of first three neo-Victorian novels and towards an ever-more serious concern with changes class structures gender roles brought about by fact war. novel tells parallel stories women one man living various areas London 1940s. Though they have different social status, id...

Morrison’s Song of Solomon could be viewed as a paragon of trauma fiction. Since no narrative of trauma can be told in a linear way, Morrison tries to depict the overwhelming power of trauma through a non-linear narrative, episodic delivery, and flashbacks. Accordingly, the readers are compelled to concoct the disjointed and fragmented memories in order to solve the riddle of the text, in which...

Africas of the MindFrom Indigenous Medicine to Environmental Psychoanalysis Brendon Nicholls (bio) In Africa, some say, no one ever truly dies.1 Where organisms end, ancestors begin.2 Infant ogbanje return from dead, plaguing grief.3 Human and animal blur nightly in therianthropic anthropomorphic crossings.4 subject is endlessly mutable. this sense, curative impulses psychoanalysis Western medi...

Asked during the 2019 election to comment on Boris Johnson's use of word ‘piccaninny’, Nigel Farage replied: ‘It's not very pretty, but that's Boris.’11 Interview BBC Radio Five Live, transcribed by Josh Milton, Pink News, 3.12.19. Oddly, though unusually, utterance was nudged out reach discussion according it a sort natural inevitability, as if vocabulary were direct emanation an essence: Bori...