نتایج جستجو برای: art objects

تعداد نتایج: 323109  

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums of the globe. zagros mountains, lorestan province locating at the heart of that, are not only the same, but are more prominent than other iranian regions. you can not find someone who does not know what the lorestani bronzes are, and there is no museum that not be pride of having a piece of that. the said bronzes which are manufactured four millenniums b.c. are admired nearly by all those researchers because of their beauty, diversity and technique. lorestani artistic works including stone engraves, bronzes and clays, show an ideal and metaphysical world beside real world which explain mental system of human beings on that era against sensations and phenomena happening around them. men main mental occupation on that time was he unknown world which had surrounded them, and they used to use the religion to fight life’s natural factors, and art was a tool of religious and mythical painting which was far from reality and had entered into the abstract domain. as natural objects have become subjects of lorestani art, it cleanses them from any non – intrinsic limitations and external factors which surround them and darken their meanings, and just shows their main specifications. artist in the said civilization is not searching for realism. although these are few works showing the nature, but in effect there is no wish to imitate touchable factors of the nature, and artist has turned real phenomena to encoded signs as per his own mentality. this procedure is called stylization.

پایان نامه :دانشگاه آزاد اسلامی - دانشگاه آزاد اسلامی واحد تهران مرکزی - دانشکده هنر و معماری 1391

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums...

Journal: :جامعه شناسی هنر و ادبیات 0
اصغر ایزدی جیران عضو هیئت علمی گروه انسان‏شناسی دانشگاه تهران

by ethnographic experience of weavings called varni, i want to say somethings about northwest nomads of iran and tehran society. movement of varni by motivation of market cause to rethink about nature of objects and processes of landscape-making anthropologically. exploring biography of cultural elements and forms became fascinating works among anthropologists. social biography of objects like ...

Journal: :the international journal of humanities 2013
kamyar abdi

for some 3 million years, the archaeological record is characterized by stone tools undergoing incremental changes. then around 40,000 years ago, the monotony of lithics is terminated by a profusion of visual representations, generally considered to be the world’s first objets d’art. this collection include a series of portable objects, especially figurines and, later on, the famous cave painti...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه الزهراء - دانشکده هنر 1389

چکیده اهمیت اشیاء در نگاه انسان از آغاز پیدایش در زندگی جریان داشته و تاکنون نیز ادامه دارد. ساخت اشیاء از انواع کاربردی و آئینی آغاز و تا انواع الکترونیکی آن به همزیستی مسالمت آمیزی با انسان منتهی گشته است. حال اینکه این همزیستی در هر دوره ای از تاریخ چگونه خودنمایی می کند از اهمیت بسیاری برخوردار است.این رساله به بررسی موقعیت شی از جنبه های زیبایی شناسی، هویت مداری، نمادگرایی، جامعه شناسی ...

With the development of academic fields in Iran's handicrafts area and revealing of unbreakable links among social issues and arts, the importance of paying attention to effects of social contexts in the development, variation or stability of Iran's handicrafts factors have been revealed. In the meantime Carpets, as the most important cultural and handicraft product of Iran, have notable rank i...

Journal: :Bulletin of PNRPU. Culture. History. Philosophy. Law. 2019

Journal: :هنرهای تجسمی 0
سعید زاویه دانشیار گروه پژوهش هنر، دانشگاه هنر تهران، تهران، ایران آزاده مرادی کارشناس ارشد پژوهش هنر، دانشکدۀ هنر، دانشگاه الزهرا، تهران، ایران

abstract victoria d. alexander, contemporary sociologist, presented her “modified cultural diamond” in completing and criticizing two approaches of reflect and forming and emphasizes key role of art world’s distributors.reflect approach is based on this fact that art always narrates from society and forming approach covering eide range of theories. their common is the idea that art having influ...

2012
Leamarie T. Gordon Anja Soldan Ayanna K. Thomas Yaakov Stern

Across three experiments, we examined the effect of repetition lag on priming of unfamiliar visual objects in healthy young and older adults. Multiple levels of lag were examined, ranging from short (one to four intervening stimuli) to long (50+ intervening stimuli). In each experiment, subjects viewed a series of new and repeated line drawings of objects and decided whether they depicted struc...

2013
DANIEL L. SCHACTER LYNN A. COOPER

Several experiments are described in which priming or implicit memory for visual objects was investigated. In one set of studies, subjects were shown line drawings of unfamiliar objects that were either structurally possible or structurally impossible. Implicit memory was assessed with a possible/impossible object-decision task, and explicit memory was assessed with a recognition task. The resu...

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