نتایج جستجو برای: and landscape painting artists whose names have survived include minas
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this paper, following a formalist approach, attempts to explain art as a zeitgeist, or 'spirit of the age'. it is aimed to investigate the enhancement of the painting by armenian artists of isfahan on the bases of historical literature and documents left since 17th, 18th and 19th century, as well as the available secondary sources tries to examine the iranian–armenian community's...
since the modern art is chosen to discuss, it means a wide expansion of art courses are affected by modernism that enter to the new realms. because of expanded subject, lack of sources and also the close relationship between painting and animation, this thesis emphasizes on the painting and it is recommended to use the phrase “modern painting” instead of modern art (which is more general). thi...
acknowledgements i wish to express my gratitude to all those who have helped me in preparing this thesis. i would like to express my deep gratitude to my respected advisor dr. kourosh akef, whose advice and comments helped me in the early stages of the research and throughout the writing process. i would also like to express my gratitude to dr. hajar khanmohammad whose invaluable guidance he...
previous studies regarding teachers’ beliefs have revealed that teachers’ beliefs have influence on their classroom practices. the current study aimed to investigate the effect of teachers’ beliefs about teaching reading strategies on students’ motivation and success in reading comprehension in the context of english teaching as a foreign language in high schools of mazandaran, iran. data were ...
چکیده اهمیت اشیاء در نگاه انسان از آغاز پیدایش در زندگی جریان داشته و تاکنون نیز ادامه دارد. ساخت اشیاء از انواع کاربردی و آئینی آغاز و تا انواع الکترونیکی آن به همزیستی مسالمت آمیزی با انسان منتهی گشته است. حال اینکه این همزیستی در هر دوره ای از تاریخ چگونه خودنمایی می کند از اهمیت بسیاری برخوردار است.این رساله به بررسی موقعیت شی از جنبه های زیبایی شناسی، هویت مداری، نمادگرایی، جامعه شناسی ...
Civilization of Iran has affection in other nations and influenced by them in during the history, however it has kept its traditions. Nowadays that affection of art of west is more than past, artists must be commitment to the past their culture and art. Inspiring from traditional arts in contemporary Iranian painting is one of the ways to identity creation to the contemporary Iranian painting. ...
From the middle of the Safavid era, with the expansion of relations with the West, European landscapes were used in various ways in the composition of paintings called “FARANGI-SAZI”. In this article, by adopting a hermeneutic approach, the epistemological context necessary for the emergence of “landscape painting” as an independent genre in European painting has been studied and then the trans...
it is true, it is true,the arts of book book in ottoman times drew their initial inspiration from those of iran. in some of the associated specialities, for example in most qur’anic illumination and in the illustration of verse romances, they did not progress significantly beyond this heritage. the timurid zafarnama and perhaps the most ilkhanid chingiznama had chronicled military exploits in a...
The previous definition of binding bigraphs is generalised so that local names may be located in more than one region, allowing more succinct and flexible presentation of bigraphical reactive systems. This report defines the generalisation, verifies that it retains relative pushouts, and introduces a new notion of bigraph extension; this admits a wider class of parametric reaction rules. Extens...
When viewing a painting, artists perceive more information from the painting on the basis of their experience and knowledge than art novices do. This difference can be reflected in eye scan paths during viewing of paintings. Distributions of scan paths of artists are different from those of novices even when the paintings contain no figurative object (i.e. abstract paintings). There are two pos...
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