This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This PhD thesis is dedicated to the representation of trees for high quality or real timelandscapes rendering. Techniques of tree modeling give good results in terms of diversity of species andshapes. However, the multitude of polygons of their geometrical representations generates a high computingcost and important problems of aliasing at rendering. Mesh simplification in order to ...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...

This article studies the visibility of creative acts and how the aesthetic experience of future architectural form can be seen in movements of the hands, in concert with speech and bodily conduct. Selected sequences are studied closely in two settings to examine the ways that our human interactional practices organise the depiction of architectural concepts and spaces, which can then be explore...