نتایج جستجو برای: cinema consumption

تعداد نتایج: 223165  

Journal: :هنرهای نمایش و موسیقی 0
شهاب الدین عادل استادیار دانشکده ی سینما و تئاتر، دانشگاه هنر، تهران، ایران. سپیده توحیدی دانشجوی کارشناسی ارشد رشته ی سینما، دانشکده ی سینما و تئاتر، دانشگاه هنر، تهران، ایران.

tech-noir cinema emerged as the combination of noir film and science-fiction genre in 1980s. noir film, which was one of the main currents of american cinema in 1940s, was influenced by detective fiction of american literature and expressionist cinema of germany in plot and form respectively. in 1970s and 1980s, because of artistic and social currents, there was a ground to return to noir; so n...

2017
Lan Dong

Lan Dong explores in her paper, "Tracing Chinese Gay Cinema 1993-2002" the recent landscape of Chinese gay cinema through discussing the following three feature films: Chen Kaige's Farewell My Concubine (1993), Zhang Yuan's East Palace, West Palace (1996), and Stanley Kwan's Lan Yu (2001). The grouping derives from the concern that they all set their stories in Beijing. Using the capital city a...

Journal: :جامعه شناسی هنر و ادبیات 0
تقی آزاد ارمکی استاد جامعه‏شناسی دانشکدۀ علوم اجتماعی دانشگاه تهران آرمین امیر دانشجوی دکتری جامعه‏ شناسی نظری و فرهنگی، دانشکده علوم اجتماعی دانشگاه تهران سحر فائقی دانشجوی دکتری جامعه‏ شناسی نظری و فرهنگی، دانشگاه علوم و تحقیقات تهران

in cinema, the relationship between art and society is questioned more than other kinds of art. among all diverse approaches studying cinema, the reflection approach- believing cinema is impressed by the society. this approach is a theoretical framework of this research. the main question is how cinema reflected political demands of iranian society from 1995 to 2006. this period is noticeable c...

2012
Kevin Ginty Simon Kerridge Paul Fairley Ryan Henderson Paul Cramer Albert Bokma Sheila Garfield

The JISC funded IRIOS (Integrated Research Input and Output System) project developed a demonstrator integrating research information input (projects) and output (publications) datasets allowing data to be linked and exported in CERIF format. C4D (CERIF for Datasets), extends this platform to manage research datasets as outputs from research projects. Although research datasets vary and are ext...

2013
Scott Brander Anna Clements Valerie McCutcheon Paul Cranner Ryan Henderson Kevin Ginty

The overall aim of CERIF for Datasets (C4D) is to develop a framework for incorporating metadata into CERIF (the Common European Research Information Format) such that research organisations and researchers can better discover and make use of existing and future research datasets, wherever they may be held. CERIF provides a standardised way of managing and exchanging research information and ha...

2008
C. Claire Thomson

‘If cinema does not give us the presence of the body and cannot give it to us, this is perhaps also because it sets itself a different objective: it spreads an “experimental night” or a white space over us; it works with “dancing seeds’ and a “luminous dust”; it affects the visible with a fundamental disturbance, and the world with a suspension, which contradicts all natural perception. What it...

2017
Soumitra DAS Nimisha DOVAL Shabna MOHAMMED Neha DUA Seshadri Sekhar CHATTERJEE

Cinema, a vehicle of social transformation sheds light on different aspects of mental illness. Due to its dramatic and stigmatising depictions, it often spreads a negative aspect of psychiatric disorders and the patients who are suffering from them. Though it brings out a few positive and inspiring stories, they are sparse in comparison to its negative views. Here, we are going to describe the ...

2008
Gregory D. Booth

The commercial Hindi cinema has been subjected to domestic and foreign criticism for its exceptionally formulaic and stereotypical feature productions. These productions, however, have their sources in the oral and written epics and the popular dramatic genres of traditional Indian culture. Content borrowed from the Ramayana, the Mahabharata, and other pan-Indian tales frequently enlarges and r...

2015
Nicolas Bertrand Jean-Denis Durou Vincent Charvillat Carsten Griwodz

Cinema industry has chosen Digital Cinema Package (DCP) as encoding format for the distribution of digital films. DCP uses JPEG2000 for video compression. An efficient implementation of coding and decoding for this format is complex, however. Currently deployed equipment is expensive and has high maintenance costs, preventing art-house cinema theaters from acquiring it. Therefore, we conduct th...

نمودار تعداد نتایج جستجو در هر سال

با کلیک روی نمودار نتایج را به سال انتشار فیلتر کنید