This article verifies how Bryan Bertino’s 2008 film The Strangers articulates the slasher formula (CLOVER, 2015; DIKA, 1985) in order to tell a horror story that is tune with cultural context from first decade of 2000s United States. Drawing analyses impact terrorist attacks on September 11th, 2001, we point out evolutions convention, including dissidence films made be deeply self-referential a...