This paper presents an account of the work of visual artists applying artificial evolutionary techniques, addressing the implications of these techniques for artistic practice. It examines the forms of artistic or creative agency found within the field, the nature of the evolved aesthetic object, and the possible limits to this work.

This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.

This paper presents a project involving a percussionist playing on a virtual percussion. Both artistic and technical aspects of the project are developed. Especially, a method for strike recognition using the Flock of Birds is presented, as well as its use for artistic purpose.

The article reveals the model of professional competence formation future teachers art and aesthetic cycle specialized training in institutions secondary education. integral forms a construct with interconnected blocks: target, conceptual, substantive, procedural, effective. structural components are established: components, principles, approaches, organizational pedagogical conditions, criteri...

Concepts from cognitive neuroscience strongly suggest that the prefrontal cortex (PFC) plays a crucial role in the cognitive functions necessary for creative thinking. Functional imaging studies have repeatedly demonstrated the involvement of PFC in creativity tasks. Patient studies have demonstrated that frontal damage due to focal lesions or neurodegenerative diseases are associated with impa...