نتایج جستجو برای: cinema consumption
تعداد نتایج: 223165 فیلتر نتایج به سال:
evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was se...
in this article we study the attitudes of iranian cinema audience toward popular films. affected by classic elite cultural theories, popular culture and consumers of popular culture have been humiliated for many years. according to this theories, audience of popular magazines, popular music, popular films and other popular culture products, have been considered as passive victims. cultural stud...
This paper presents a practice research project based at The Curzon Community Cinema, Clevedon, UK. Working closely with the cinema to develop a locative or context-aware heritage application for the iPhone, the project aims to enhance the Curzon’s new Heritage Lottery Funded exhibition, enabling visitors to gain further insight into the building, projection equipment and the history of cinema ...
one of the common ways to identifying and representing himself, especially in the modern age, cultural consumption. often people in cultural consumption, types of commodities and precious symbols, in order to create favorable images of themselves in the minds of others are taking.the choice of specific pattern of cultural consumption, cultural preferences or practices, the need for cultural res...
In chapter 1 of this volume, we have outlined three widely discussed arguments concerning the social stratification of cultural consumption: that is, what we have labelled as the ‘homology’, the ‘individualisation’ and the ‘omnivore–univore’ arguments. In our own previous work (Chan and Goldthorpe, 2005, 2007b,c) we have examined the validity of these arguments in the light of analyses of cultu...
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
This paper studies the role of the semiotic discussions of Charles Sanders Peirce, the American philosopher and mathematician, in the formation of Deleuze’s first leading book on cinema, Cinema 1: the Movement-Image,in whichthe author surpasses Peirce’s semiotics. We will show how Deleuze creates a new form of signs in his second leading book on cinema, Cinema 2: the Time-Image. Deleuze had tri...
To transmit and display high quality movies via optical networks, a new Super High Definition (SHD) digital cinema distribution system with the resolution of 8-million pixel is developed. Its image quality is four times of HDTV in resolution, and enables us to replace conventional 35mm films. This system is based on JPEG 2000 coding technology and transmits high quality digital cinema over high...
e vast majority of literature devoted to independent cinema focuses on American fi lm production. When I was looking for books on independent cinema in my university library, out of about twenty fi ve, I identifi ed twenty or so devoted exclusively to American cinema. For the majority of scholars and students, using the term “independent” means independent from Hollywood, not only in terms of f...
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