Characters form the focus of various studies of literary works, including social network analysis, archetype induction, and plot comparison. The recent rise in the computational modelling of literary works has produced a proportional rise in the demand for character-annotated literary corpora. However, automatically identifying characters is an open problem and there is low availability of lite...

Although the stool of proper biblical exegesis must rest evenly upon the four legs of grammar, history, theology, and literary analysis, too often the literary leg receives such short fashioning that the resulting hermeneutical product is left unbalanced. While in no way minimizing the crucial importance of all four areas of exegesis, this paper concentrates on the benefits of applying sound li...

In the digital age, literary practice proliferates across different media platforms. Contemporary literary texts are written, circulated and read in a variety of media, ranging from traditional print formats to online environments. This essay explores the implications that the transmedial dispersal of literary culture has for intermedial literary studies. If literature in a multiplicity of medi...

This paper surveys some of the central issues in the philosophy of creativity and argues that an adequate treatment of them requires attention to the rich psychological literature on creativity. It also shows that the range of interesting philosophical questions to be raised about creativity is much wider than concerns its role in art. Issues covered include the definition of ‘creativity’; the ...

Some scientists write literary fiction books in their spare time. If these books contain scientific knowledge, literary fiction becomes a mechanism of knowledge transfer. In this case, we could conceptualize literary fiction as non-formal knowledge transfer. We model knowledge transfer via literary fiction as a function of the type of scientist (academic or non-academic) and his/her scientific ...

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Introduction With the exception of research carried out by Bamberger (1977, 1978, 1991), studies of the music composition process have used predominantly positivistic approaches, in experimental, laboratory, non real-world scenarios for data collection. The aim of this paper is to describe the cognitive processes, in real-time, of a composer in the act of writing music by assuming an alternativ...

The computational creativity community (rightfully) takes a dim view of supposedly creative systems that operate by mere generation. However, what exactly this means has never been adequately defined, and therefore the idea of requiring systems to exceed this standard is problematic. Here, we revisit the question of mere generation and attempt to qualitatively identify what constitutes exceedin...

In this paper I discuss reasons for viewing human creativity more as a social process than as an individual act. These reasons include the subjectivity of evaluation in attributing creativity, the potentially arbitrary relationship between individuals and creativity at the cultural level, the importance of the capacity for preserving cultural information over and above the capacity to innovate,...