This poster introduces a novel semi-automatic colorization framework which is suitable for cartoons originally shot in blackand-white on classical celluloid films. More specifically we focus especially on the cel or paper based cartoon making technology. In this case usually the background layer is a static image and only the dynamic foreground needs to be colorized frame-by-frame. We also assu...

Since its invention some 60 years ago, television has been maligned by many as being bad for children’s brains. Accusations that it was a “boob tube” have existed almost as long as the medium itself, but they gained considerable traction with the advent of preschool programming in the 1970s when teachers reported that children began school with “five minute attention spans.”1 Initial scientific...

Having been crafted to welcome a new scientific journal, this paper looks forward but requires no special prerequisite. The argument builds on a technical wrinkle (used earlier but explained here fully for the first time), namely, the author’s grid-bound variant of Brownian motion B(t). While B(t) itself is additive, this variant is a multiplicative recursive process the author calls a “cartoon...


 Abstract
 This study was conducted to determine whether SpongeBob SquarePants Cartoons contains idioms, as there are some challenges in understanding and comprehending these idioms. A qualitative technique is used this investigation. In study, all utterances including or explaining idioms cartoons were primary data. The cartoon evaluated by the researcher utilizing Seidl McMordie's ...

Swedish nonsense syllables distinguished solely by their vowels [i], [y] or [e], were presented to phonetically sophisticated subjects auditorily, visually and in cross-dubbed audiovisual form with incongruent cues to openness, roundedness or both. Acoustic [y] dubbed onto optic [i] or [e] was heard as a retracted [i], while acoustic [i] or [e] dubbed onto optic [y] were perceived as rounded an...