During the Qajar period, due to the influence of European artists, the method of oil painting became very popular in Iran, where this trend was common not only on cloth canvases but also on decoration of the walls of buildings. The western art influenced not only the use of materials, but also the method of execution and even the type of designs, and led to the blending of Western artistic meth...

One of the rugs of Houshang Shahi, which has some different visual elements from other rugs in this category, is a rug called Houshang Shah with Western diplomats. The simultaneous presence of the mythical king of Iran and the foreigners in a modern dress in this rug, as well as how it can be related to the active elements of this text, is an issue that has been less considered so far. The main...

This paper presents the results of the Identifying the binder and pigments used in the mural paintings in RahimAbad Historic Garden and Mansion in Birjand. Birjand was one of the most important governmental strategic cities in Qajar era (1789–1925A.D) and an important branch area of ancient Silk Road which connected India to Europe. Though many monuments, especially historical gardens rem...

Suitable utilization of daylight in architecture, in addition to meeting the physical and emotional needs of human increase the quality of living spaces. From this perspective, our country's rich architecture has valuable achievements and experiences, which requires recognizing and introducing it to the architectural community of Iran and the world. The present research intends to examine the v...

Flower pot is one of the frequently used motifs in Qajar period. This decoration is abundantly found in carvings and tiling decoration of the mosque-schools in Qajar period. There is also the flower pot in previous eras schools such as Safavid period schools , but the flower pots used in Safavid period schools differ from the flower pots used in the Qajar period mosque- schools. However, this s...