Most analysis of the international flows of the illicit art market has described a global situation in which a postcolonial legacy of acquisition and collection exploits cultural heritage by pulling it westwards towards major international trade nodes in the USA and Europe. As the locus of consumptive global economic power shifts, however, these traditional flows are pulled in other directions:...

This paper critically explores the centrality of intertextuality in the production and appreciation of Chinua Achebe’s fiction, mainly, his political novel that deals with militarism, Anthills of the Savannah (1987). Intertextuality deals with relations among texts: no text is an island. The departure from author-centred theory of literary criticism to unrestricted and diversified one, followin...

Victoria Cook, in "Exploring Transnational Identities in Ondaatje's Anil's Ghost," addresses issues of identity raised in the narrative of Michael Ondaatje's novel Anil's Ghost. Cook's paper is a close analysis of Ondaatje's novel, paying particular attention to the way in which Ondaatje examines identity as both a "construct" and a "process." The approach used is one that draws on postcolonial...

The postcolonial has still remained on the margins of Game Studies, which has now incorporated at length, contemporary debates of race, gender and other areas that challenge the canon. It is difficult to believe, however, that postcolonial ideas do not influence the way in which videogames are perceived; the effect, it can be argued, is often subtle. For the millions of Indian gamers, it is a m...

Recent interest amongst critical human geographers in postcolonial theory has been framed by a concern for the relationship between ‘politics’ and ‘theory’. This paper addresses debates in the field of colonial discourse analysis in order to explore the connections between particular conceptions of language and particular models of politics to which oppositional academics consider themselves re...