Portraits of Hippocrates.
نویسنده
چکیده
DESCRIPTION OF WELLCOME TILE* The tile is an elongated octagon in shape. It has a blue tinted glaze, and bright blue decoration with the motto in maroon. The sides of the tile are chamfered, and the glaze on the back is in irregular patches. The design of the Society of Apothecaries' Arms-with ribbon-like scrollwork to the sides of Apollo, who has an unusual 'Red Indian' headdress-is quite distinct from the common versions of the Arms on such tiles. The Fitzwilliam Museum tile has exactly the same dimensions as the Wellcome tile (30 x 24.6 x 1.4 cms.), the Drake tile being fractionally smaller (29.8 x 24.1 x 1.4 cms.). Both tiles have the blue tinted glaze, unusual chamfered edge, and the partially glazed back characteristic of the Wellcome tile. The motto on the Fitzwilliam tile is in maroon, that on the Drake tile in black. A point of interest about the Weilcome tile is the poor quality of the decoration, there being so much disparity of detail between the left hand and right hand sides that they appear to have been drawn by different artists, possibly the work of apprentices. This is further support for the view that the tiles were not custom made (see above). Furthermore, the almost identical size and shape of the three tiles suggests an element of mass production.
منابع مشابه
Scottish Society of the History of Medicine
dated 1638. While it bears a resemblance to the 'true' Hippocrates busts the chin seems very prominent and Richter mentions that this portrait is probably an 'invented one made up in the mind of the sculptor'. The reason for the portrayal of the prognathic chin remains an enigma. The third is a photograph of a lithograph (Figure 13) which appeared in 1825 ;25 this seems to resemble both the rin...
متن کاملReading the first period (1627-1631) self-portraits by Rembrandt based on the concept of Das Ding in Lacan Theory
Rembrandt, in his early self-portraits, clearly forbids the audience from seeing. The distinguishing feature of these works not in the clearly displayed sections, but in the glorious representation of the lost information. In other words, Rembrandt uses visual principles and qualities in order not to represent himself accurately. This prompted the researcher to read psychoanalytically the self...
متن کاملAutomatic Colorization of Grayscale Images Using Generative Adversarial Networks
Automatic colorization of gray scale images poses a unique challenge in Information Retrieval. The goal of this field is to colorize images which have lost some color channels (such as the RGB channels or the AB channels in the LAB color space) while only having the brightness channel available, which is usually the case in a vast array of old photos and portraits. Having the ability to coloriz...
متن کاملPortraits of Livia in context: an analysis of distribution through the application of geographic information systems
APPENDIX D TABLES 94 APPENDIX E FIGURES 100 BIBLIOGRAPHY 137 iii LIST OF TABLES Table D1. Frequency of portrait types by geographic region. 94 Table D2. Frequency of portraits of Livia in context by portrait type. 95 Table D3. Frequency of the portrait types of Livia by date. 96 Table D4. Type of city with portraits of Livia by region of the Roman Empire. 97 Table D5. Architectural context of t...
متن کاملRepresentation and Aesthetics of the Human Face in Portraiture
How do representations of the face in portraits relate to the natural face, and how does the aesthetics of portraits relate to the aesthetics of faces in photographs? Here we investigate these questions with regard to the frontal face. Frontal faces are of particular interest because they are by far the most commonly studied type of face image in psychology, yet frontal portraits have been litt...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید
ثبت ناماگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید
ورودعنوان ژورنال:
- Medical History
دوره 16 شماره
صفحات -
تاریخ انتشار 1972