A (Vicarious) Portrait of the Artist:
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چکیده
Introduction As is often the way, this paper has somewhat morphed from the original seed of an idea, but I think that’s a good thing. The main reason for this is that I kept coming back to the stimuli presented in the call for papers, and tried to decipher just what terms like ‘human’ and ‘post-human’ might mean, specifically in light of my own post-graduate research into musical theatre performance analysis. If we speak of the ‘human’, are we exploring ideas of self, of philosophical ideas of pluralities of consciousness, or somatics, or various political or socio-cultural ideologies or hegemonies? With terms like ‘post-human’, are we thinking of humans without humanity in the 21 st
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