Direct Digital Imaging of Vincent van Gogh’s Self-Portrait – A Personal View
نویسنده
چکیده
The ability to accurately record the color of a painting within an American museum is explored. Limitations in imaging techniques and hardware are current barriers to high quality. Interestingly, simple colormanagement techniques provide large improvement. Perhaps the greatest advantage is a decrease in visual adjustment. A review is presented of the author’s experiences in trying to digitally record the color of Vincent van Gogh’s Self-Portrait.
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