Painted Aperture for Portraits
نویسنده
چکیده
Photographers often wish to control the depth of field. In particular, for portrait photography, a shallow depth of field can have dramatic effects on the composition and the feel of the picture. For example, a shallow depth of field can help direct attention to the subject by blurring out objects too close or too far from the camera, such as distracting objects or faces. Also, focusing on an off-center object can create an interesting shot composition.
منابع مشابه
Pii: S0028-3932(00)00063-4
For centuries painters have predominantly painted portraits with the model’s left-cheek facing the viewer. This has been even more prevalent with females (:68%) than males (:56%). Numerous portraits painted by Rembrandt typify this unexplained phenomenon. In a preliminary experiment, subjects judged 24 emotional and social character traits in 20 portraits by Rembrandt. A factor analysis reveale...
متن کاملSir John Medina's portraits of the surgeons of Edinburgh.
THE sEr OF oval portraits of members of the old Incorporation of Surgeons which hangs in the Royal College of Surgeons in Edinburgh was painted by Sir John Medina some time between about 1695 and 1710. Consideration of the general affairs of the Surgeons of Edinburgh in the late seventeenth century, and comparison with similar collections elsewhere suggests that these portraits were probably co...
متن کاملObesity: Rubensian beauty turned into major health problem
The Dutch painter Sir Peter Paul Rubens (June 28, 1577 – May 30, 1640), the most famous artist of the Flemish Baroque art school, studied anatomy and medicine to understand the human body and devoted his life to sharing views common among his contemporaries. Rubens believed that physical weakness could lead to spiritual weakness. He painted nudes and highlighted their physical beauty, goodness,...
متن کاملEye centring in portraits: a theoretical and empirical evaluation.
Tyler (1998 Nature 392 877) proposed that 'painters centre one eye in portraits', and that this is a hidden aesthetic principle used implicitly by artists and by viewers of portraits. We assess that hypothesis in three related studies: a Monte-Carlo analysis of eye placement in synthetic faces randomly placed within a frame; a survey of eye position in 786 painted portraits from Western art of ...
متن کاملWhat did the early American presidents really look like? Gilbert Stuart portraits as a "Rosetta Stone" to the pre-photography era.
The American painter Gilbert Stuart (1755 - 1828) painted many prominent individuals, including the first six presidents of the United States, and several of his later subjects were also photographed. We compared these photographs to Stuart's portraits of the same individuals and characterized the differences between Stuart's representations and his subjects' actual appearances. This allows us ...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2010