Designing Digital Musical Interactions in Experimental Contexts
نویسندگان
چکیده
As NIME’s focus has expanded beyond the design reports which were pervasive in the early days to include studies and experiments involving music control devices, we report on a particular area of activity that has been overlooked: designs of music devices in experimental contexts. We demonstrate this is distinct from designing for artistic performances, with a unique set of novel challenges. A survey of methodological approaches to experiments in NIME reveals a tendency to rely on existing instruments or evaluations of new devices designed for broader creative application. We present two examples from our own studies that reveal the merits of designing purpose-built devices for experimental contexts.
منابع مشابه
Ecological considerations for participatory design of DMIs
A study is presented examining the participatory design of digital musical interactions. The study takes into consideration the entire ecology of digital musical interactions including the designer, performer and spectator. A new instrument is developed through iterative participatory design involving a group of performers. Across the study the evolution of creative practice and skill developme...
متن کاملGame Design for Expressive Mobile Music
This article presents observations and strategies for designing gamelike elements for expressive mobile musical interactions. The designs of several popular commercial mobile music instruments are discussed and compared, along with the different ways they integrate musical information and game-like elements. In particular, issues of designing goals, rules, and interactions are balanced with art...
متن کاملDiscovering instruments in scores: a repertoire-driven approach to designing new interfaces for musical expression
This paper situates NIME practice with respect to models of social interaction among human agents. It argues that the conventional model of composer-performer-listener, and the underlying mid-20 century metaphor of music as communication upon which it relies, cannot reflect the richness of interaction and possibility afforded by interactive digital technologies. Building on Paul Lansky’s vision...
متن کاملDesigning for Style in New Musical Interactions
In this paper we discuss the concept of style, focusing in particular on methods of designing new instruments that facilitate the cultivation and recognition of style. We distinguish between style and structure of an interaction and discuss the significance of this formulation within the context of NIME. Two workshops that were conducted to explore style in interaction design are described, fro...
متن کاملTheory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System
This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of designing musical sound transformations under the concept of instrumental interaction. It provides new results and new discussions in musical signal processing and in the design of digital audio effects. The aim is to investigate the possibilities of physical modeling to provide more “plausible” sound modifica...
متن کامل