More than just Death in Venice: Irish Pavilion at the Venice Biennale.

West African Artists at the Venice Biennale

Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials

In 2011, using the recently developed mobile technology of geolocated augmented reality (AR), the author was the primary organizer of two interventions into art biennials: in Venice together with Sander Veenhof and Mark Skwarek for our cyberartist group Manifest.AR (Manifest.AR blog 2013) and in Istanbul in collaboration with the Istanbul design team (PATTU 2013). With geolocated AR artists can...

The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The Immoralist (1902) and Mann’s Death in Venice (1912)

In her article "The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The Immoralist (1902) and Mann’s Death in Venice (1912)" Louise Willis examines two early literary representations of homosexuality in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). She reads them with fin-de-siècle sexological theory, mainly Freud's Three Essays on the...

An Investigation to Physical Aspects of Middle Area in Squares as a Useful Indicator for Designing Community-Oriented Urban Plazas (Case Study: Italian Piazzas of Campidoglio in Rome, Del Campo in Siena and San Marco in Venice)

Middle of squares, one of the components of physical aspect is considered as an appropriateindicator in designing successful urban squares, which consequently promotes visual quality. The present study aims todetermine how the above mentioned aspect was presented in the Middle-Ages and Renaissance within Italian squares.Considering the aim of the investigation, library studies as well as visual...

Thomas Mann's Death in Venice.

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