How does the style of singing varies within a gharana? A Non Linear study on lineage in Hindustani Classical Music

Hindustani classical music is entirely based on the “Raga” structures. In Hindustani music, a “Gharana” or school refers to the adherence of a group of musicians to a particular musical style of performing a certain raga. The objective of this work was to find out if any characteristic acoustic cues exist which discriminates a particular gharana from the other. Another intriguing fact is if the artists of the same gharana keep their singing style unchanged over generations or evolution of music takes place like everything else in nature. In this work, we chose to study the similarities and differences in singing style of some artists from at least four consecutive generations representing four different gharanas using robust non-linear methods. For this, alap parts of a particular raga sung by all the artists were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. The observations give a cue in the direction to the scientific recognition of guru-shisya parampara (teacher-student tradition) – a hitherto much-heard philosophical term. Moreover the variation in the complexity patterns among various gharanas will give a hint of the characteristic feature of that particular gharana as well as the effect of globalization in the field of classical music happening through past few decades.