Visuality and Narration in Monsters, Inc.

Dynamics in Monsters, Inc

Narration, Visualization and Mind

The paper is analyzing how people in late modern society characterized by detraditionalization, use moving images as a cultural resource for the construction of meaningful subjective world views. As a theoretical concept with several dimensions, “sacralization of the self” (Woodhead & Heelas 2000: 344), is related to media theory. With a critical focus on ‘the self’, as a core aspect in contemp...

Architecture Narration: A Comparative Study on Narration in Architecture and Story

The way architects think about different issues from developing plans, perspectives, and views to cross-sections and structure of a building is a common and general one. Regardless of its merits and efficiency, this way of thinking indicates a degradation in architectural thinking. Indeed, architectures today are caught in a specific architecture language where the boundaries of language create...

Moral Monsters and Saints

This paper argues for the moral significance of the notion of an evil person or character. First, I argue that accounts of evil character ought to support a robust bad/evil distinction; yet existing theories cannot plausibly do so. Consequentialist and related theories also fail to account for some crucial properties of evil persons. Second, I sketch an intuitively plausible “affective-motivati...

Orality and Visuality as Media of Communication in African Divination

This study is intended to facilitate the basic understanding of Orality and Visuality as media of communication in African divination systems and to underscore their relationships with related ritualistic and oracular activities and/or actions, and to emphasize their importance within the context of an Oracle that makes statements about future events or about the truth. It is discovered that th...