منابع مشابه
Doing Violence to ‘Violence’: Theodor W. Adorno and the Responsibilities of Music Criticism
This study examines the intersections of music, philosophy and the use of metaphors and other linguistic expressions relating to violence in the writings of Theodor W. Adorno. After discussing contemporary theories of metaphor, it examines Adorno's comparisons of the music of Schoenberg and Stravinsky in his 1948 volume Philosophie der neuen Musik, the posthumous collection of fragments for his...
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This article examines some of the ideas that Theodor Adorno elucidated around the term “cultural industry”, compiling mainly the ideas published in the text “Aesthetic Theory” of 1970. The term “cultural industry” is also contextualized in the article with the reflections that Adorno previously exposed since 1947. Concerning the relation between art and autonomy the ideas of Adorno offer elemen...
متن کاملTheodor Adorno Culture Industry Reconsidered (from "the Culture Industry: Selected Essays on Mass Culture"
The term culture industry was perhaps used for the first time in the book Dialectic of Enlightenment, which Horkheimer and I published in Amsterdam in 1947. In our drafts we spoke of 'mass culture'. We replaced that expression with 'culture industry' in order to exclude from the outset the interpretation agreeable to its advocates: that it is a matter of something like a culture that arises spo...
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“It is a very strange relationship.”1 Writing to his mother in January 1947, when the collaboration with Thomas Mann on Doktor Faustus was reaching its end, Theodor Wiesengrund Adorno would still fi nd their connection impossible to describe. From today’s greater distance we in turn cannot presume to say defi nitively what it is that went on there. Certainly, a novel was written; certainly, a d...
متن کاملUtopian Optics: Theodor W. Adorno’s Prisms: Cultural Criticism and Society
The English-reading world has recently been offered the alpha and omega of Adorno's systematic works. Not only do Dialectic of Enlightenment and Negative Dialectics present Adorno's original programmatic evocation and his final methodological summary respectively, but the Jargon of Authenticity and Philosophy of New Music footnote these with lengthy statements on two favorite leit-motifs: the p...
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ژورنال
عنوان ژورنال: Cadernos Walter Benjamin
سال: 2019
ISSN: 2175-1293,2175-1293
DOI: 10.17648/2175-1293-v23n2019-11