The Politics of Musical Standardization in Nineteenth-Century France and Britain
نویسندگان
چکیده
Abstract This article examines mid-nineteenth-century Anglo-French relations through the prism of musical standardization. Bringing together perspectives from musicology, history science, and political history, it demonstrates holistic value practices for study processes integration. In 1859, Napoléon III's government determined a national pitch to which musicians should tune their instruments. The following year, Britain's Society Arts attempted emulate this standard. Amid tense relations, British audiences interpreted French as measure country's autocracy, these anxieties materialized redefinition challenges introducing within liberal framework encountered in 1859 were subsequently echoed debates over reform weights measures 1860 free trade treaty between Britain France. Both economic artistic integration countries involved problem how regulate society laissez-faire state. Musical standardization has received little historiographical attention, but regulation art offers insights into culture. Entangled complex network industrial, institutional, social structures, problems inseparable international socio-political contexts.
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ژورنال
عنوان ژورنال: Past & Present
سال: 2021
ISSN: ['1477-464X', '0031-2746']
DOI: https://doi.org/10.1093/pastj/gtaa007