منابع مشابه
The Two-Component Theory of Proper Names and Kripke’s Puzzle
This paper provides a defense of the description theory of proper names by constructing a ‘two-component’ theory of names. Using Kripke’s puzzle about belief as the stepping stone, this paper first points out problems with Kripke’s direct reference theory of names. It then presents the two-component theory of names and defends it against Kripke’s general criticisms of the description theory. It...
متن کاملNaming with Proper Names: The Left Temporal Pole Theory
Existing empirical data on proper names processing are critically reviewed in trying to understand which tasks may involve the left temporal pole, which proper name related functions are supported by this structure and eventually offer some speculations about why these functions might have developed in this location in the course of human evolution. While clinical group studies support the idea...
متن کاملdirect reference theory and the substitutivity of co-referent proper names in propositional attitude sentences
inadequacy of descriptive theories to account for the mechanism of reference led to the emergence of the direct reference theory. this theory, however, has its own problems. if the only component of the meaning of a proper name is its referent, then how is it that the substitution of two co-referent proper names in propositional attitude sentences changes the truth value of the sentence? the pr...
متن کاملProper names--Zurich plethora.
5. COuiPLAND, W. H., Lancet, 1918, 1, 520. 6. Ross, SnR JAMEs PATERSON, Surgery ofthe Sympathetic Nervous System. 3rd ed., London, Balliere, Tindall & Cox, 1958. 7. Stn*mmR, H. A. The Origin ofMedical Terms, 2nd ed., Baltimore, Williams & Wilkins, 1961. 8. MrrCHLL, S. W. Injuries of Nerves and Their Consequences. Philadelphia, J. B. Lippincott, 1872. 9. MrraELL, S. W. 'On the Diseases of Nerves...
متن کاملthe analysis of the role of the speech acts theory in translating and dubbing hollywood films
از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...
15 صفحه اولذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Mind
سال: 2017
ISSN: 0026-4423,1460-2113
DOI: 10.1093/mind/fzx010