Supernatural Elements in Shakespeare’s Plays

a social analysis of carnival elements in naseri period plays

theatre enjoys the highest status in social relationships and this trait arises from two characteristics: the first one is that theatre is formed at the time and place of performance. theatre is created in specific time on stage for the audience. the second one is direct presence of the audience which is the third basic element of theatre. theatre is created through direct encounter of actors a...

Comparing Themes in Supernatural and Left Behind

The Supernatural and the Miraculous

Both intention-based and causation-based definitions of the miraculous make reference to the term ‘supernatural’. Philosophers who define the miraculous appear to use this term in a loose way, perhaps meaning the nonnatural, perhaps meaning a subcategory of the nonnatural. Here I examine the aetiology of the term ‘supernatural’. I consider three outstanding issues regarding the meaning of the t...

Supernatural Miracles and Religious Inclusiveness

In this paper I shall assess Clarke’s assertion that all definitions of miracles that purport to satisfy the criterion of religious inclusiveness should substitute the term ‘supernatural’ for ‘non-natural’. In addition, I shall attempt to strengthen Clarke’s conception of the supernatural by offering an analysis of what it means for something to be ‘above’ nature. Lastly, I shall offer a new ar...

Supernatural Analogues of Beilinson Monads

We use supernatural bundles to build GL-equivariant resolutions supported on the diagonal of Pn × Pn, in a way that extends Beilinson’s resolution of the diagonal. We thus obtain results about supernatural bundles that largely parallel known results about exceptional collections. We apply this construction to Boij–Söderberg decompositions of cohomology tables of vector bundles, yielding a proof...