Staging Aural Fugitivity through Nineteenth-Century Freak Show Archives

نویسندگان

چکیده

This essay analyzes aural fugitivity in archives of nineteenth-century freak show performers Millie Christine McKoy and traces the difficulties staging these for twenty-first-century audiences. Aural couples theories Black with sound studies analysis enslavement performance order to explore legacies sideshow who were also enslaved. essay, taking as an object author's own creative work based on archives, biography McKoys alongside their strategies that resisted full archival capture through fugitive sound.

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ژورنال

عنوان ژورنال: Performance matters

سال: 2022

ISSN: ['2369-2537']

DOI: https://doi.org/10.7202/1089677ar