منابع مشابه
Discovering Expressive Realtime Parameters: the Performing Laptop Artist as Effect Designer
Over the last several years, we (all "laptop artists" of this sort) have been active as performers, composers, software/DSP developers and hardware instrument builders. In particular, we have been seeking more compelling physical connections between body and digital sound, creating personalized hardware/sensor interfaces [1] [2], connecting them to custom signal-processing algorithms, and gener...
متن کاملtranslating allusive devices:a survey of a portrait of the artist as a young man by james joyce
تلمیح یکی از عناصری است که تقریباً در همه ی متون ادبی یافت و باعث ایجاد شکاف های فرهنگی می شود. در این تحقیق به عنوان شکلی از بینامتنیت در ترجمه مورد توجه قرار می گیرد. تلاش شده است تا راهکارهای مترجمان برای ترجمه چهار نوع اسامی خاص و عبارات کلیدی تلمیحی (مذهبی، سیاسی، تاریخی و اسطوره ای) موجود در رمانِ چهره مرد هنرمند در جوانی به فارسی بررسی شود. این تحقیق مقایسه ای بر اساس راهکارهای ترجمه تلمیح...
15 صفحه اولThe Entrepreneurial Artist as Marketer
The art organisation today utilise marketing concepts and practices. Much of what is actually practiced is at best an inefficient form of marketing, and at worst an inappropriate way of securing visitor numbers, making profit from merchandising and encouraging repeat visits. The art organisation exhibits similar characteristics to the small and medium sized enterprise (SME). Contemporary resear...
متن کاملArtist As Researcher, Understanding The Tools
The paper begins with a response to the nature of contemporary artists relationships to how computers have permeated the fine art domain and how they affect the creative process. How should artists utilize this tool in order to fully understand and explore its potential? Using the example of a recent project I have undertaken called 'nGen', I shall discuss some aspects of how the computer tool ...
متن کاملCorrection to a Theorem of Schoenberg
A well–known theorem of Schoenberg states that if f(z) generates a PFr sequence then 1/f(−z) generates a PFr sequence. We give two counterexamples which show that this is not true, and give a correct version of the theorem. In the infinite limit the result is sound: if f(z) generates a PF sequence then 1/f(−z) generates a PF sequence.
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ژورنال
عنوان ژورنال: Tempo
سال: 1995
ISSN: 0040-2982,1478-2286
DOI: 10.1017/s0040298200004307