Revisiting Kenny G (Colloquy)
نویسندگان
چکیده
From fusion jazz, to quiet storm, neo-soul and lo-fi hip hop, jazz has often been used as a marker of authenticity in contemporary Black popular genres. Given his disproportionate popularity, the class-ing, racialization, gendering Kenny G culture become, effect, lens through which we evaluate all forms crossover jazz. Ultimately, critiques that focus on means dismiss such musics are rooted racialized discourses ignore long tradition projects characterize broadly.
منابع مشابه
On Kenny on Aquinas on Being : A Critical Review of Aquinas on Being by Anthony Kenny
Gyula Klima, Review of A. Kenny: Aquinas on Mind (New York: Routledge, 1995) in Faith and Philosophy 15 (1998) 113–17. In this essay I will only deal with Kenny’s charges against Aquinas’s doctrine that directly concern Aquinas’s doctrine of being, namely, the charge of his failure to distinguish “specifi c existence” from “individual being” à la Frege, and the charges against Aquinas’s doctrin...
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ژورنال
عنوان ژورنال: Journal of Jazz Studies
سال: 2023
ISSN: ['2158-1401']
DOI: https://doi.org/10.14713/jjs.v14i1.246