Przestrzeń kadru/poza kadrem. O fotograficznych ujęciach w Idzie i Zimnej wojnie Pawła Pawlikowskiego
نویسندگان
چکیده
The following discussion concentrates on the shaping of film space, frame composition and what happens beyond frame. objectiveis to explore aesthetics films, resulting primarily from juxtaposition photographic (in vivo) shots with moving images. non-standard frames in both based shifting centre edge (deframing) multiplication additional (over-framing): windows, doors, doorframes, etc. resultin a significant play space. Such creative use formal strategies still (photographic) images forces viewer reflecton destinyof protagonists. stillness silence so often used are objective aspects photography, but above all death, which beginning accompanies Pawlikowski’s protagonists: Wanda, Ida, Zulaand Wiktor.
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ژورنال
عنوان ژورنال: Bia?ostockie Studia Literaturoznawcze
سال: 2022
ISSN: ['2720-0078', '2082-9701']
DOI: https://doi.org/10.15290/bsl.2022.21.06