Postures After the Antique in Eighteenth-Century Portraits of Women

نویسندگان

چکیده

This paper re-examines the relationship between eighteenth-century portraiture and antique where women adopt postures of floating female figures from Pompeiian wall paintings in portraiture. I argue that portraits afforded their sitters an opportunity to assert classical knowledge while adhering typical conventions femininity.

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ژورنال

عنوان ژورنال: Aphra Behn online

سال: 2022

ISSN: ['2157-7129']

DOI: https://doi.org/10.5038/2157-7129.12.2.1279