Picasso in der Kunst der Gegenwart / Picasso in Contemporary Art / Picasso dans l’art contemporain
نویسندگان
چکیده
منابع مشابه
When a Picasso is a "Picasso": the entry point in the identification of visual art.
We investigated whether art is distinguished from other real world objects in human cognition, in that art allows for a special memorial representation and identification based on artists' specific stylistic appearances. Testing art-experienced viewers, converging empirical evidence from three experiments, which have proved sensitive to addressing the question of initial object recognition, sug...
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ion in Byzantium and Its Exhibition,” Convivium 2, no. 2 (2015): 112–33. For a particularly problematic example, in which the analogical or comparative method often blurs into genealogical claims, see L. U. Marks, Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Cambridge, MA, 2010). 9. For a rare exception, see J. Jakeman, “Abstract Art and Communication in ‘Mamluk’ Architecture...
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One can infer an artist's identity from his or her artworks, but little is known about the neural representation of such elusive categorization. Here, we constructed a 'neural art appraiser' based on machine-learning methods that predicted the painter from the functional MRI activity pattern elicited by a painting. We found that Dali's and Picasso's artworks could be accurately classified based...
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Recently, exploratory search has received much attention in information retrieval and database fields. This search paradigm assists users who do not have a clear search intent and are unfamiliar with the underlying data space. Specifically, query formulation evolves iteratively as the user becomes more familiar with the content. Despite its growing importance, exploratory search on graph-struct...
متن کاملWhat does a pigeon see in a picasso?
The University of Lethbridge John R. Vokey Department of Psychology and Neuroscience University of Lethbridge Jason M. Tangen Department of Psychology McMaster University ABSTRACT Judgments of style in art, music, and literature are commonplace, although the mechanisms providing for this structural sensitivity are not well understood. Watanabe, Sakamoto, and Wakita (1995) showed that pigeons tr...
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ژورنال
عنوان ژورنال: Critique d’art
سال: 2017
ISSN: 1246-8258,2265-9404
DOI: 10.4000/critiquedart.21344