PHENOMENOLOGICAL-EPISTEMOLOGICAL DIMENSION OF SUBJECTIVATION

Recent research has made it possible to trace the nature of formation subjectivation. The term, which came from philosophy M. Foucault, was considered in context historical subject, peculiarities its social design. But recently, understanding such complex terminology is becoming increasingly if we turn modern cognition, biology, epistemology. starting point for this activity approach. It opens way features and characteristics subject. Activity subject's existence makes understand conditions process subjectivation, ie formation. Modern characterized by interdisciplinarity, so were interested work representatives phenomenology body movement on influence music, creating meaning music based ideas epistemology, psychology, semiotics. Of particular interest are works that examine musical sound search biological roots gesture sound, evidence a naturalized This article inspired G. Kovtun's production A. Khachaturian's ballet "Spartacus" (which premiered recently at Kharkiv National Opera Ballet Theater), because one can clearly feel as method, note infinity cognitive role art think about epistemological basis relationship between world around us our bodily capabilities form gesture, under reproduction certain meanings them. Phenomenological-epistemological dimension reveals new horizons human evolution, cognition seems unfold contexts, performance expands heuristic spectrum environment. One begins importance rationality effective force gesture. Based phenomenological perceptions recognized special system, conclusions indicate need take into account body, hand, interaction with environment, other, focus Possibilities life subjectivation ontological characteristics. perspective (namely, dimensions) also allows emphasize differences those who know observe (as opposed study things events only position). becomes methodological terms second-order observer external observer, regard tool or option scientific thought.