Белорусский вербатим как зеркало общества (на примере пьес "Patris и Мабыць"?)

As a theatrical phenomenon, verbatim originated in Great Britain the late 1980s and early 1990s. Authors using this method paid special attention to serious social problems, for example, discrimination against women, racial inequality, terrorism, others. At same time, basis of direction became documentary focus on life individual. In post-Soviet space, theater turned issues that were relevant former Soviet republics. The article analyzes two works (Patris Мабыць?) by Belarusian playwrights – Siergei Ancelevich, Dmitry Bogosławski, Wiktor Krasowski) –who, method, try understand specificity mentality contemporary Belarusians. Looking at interviews presented through prism sociological research, one can see how various concepts identity are implemented homo soveticus model East-West dichotomy function Belarus, what difficulties Belarusians encounter when choosing communication native language. be regarded as first attempts move from passive an active awareness one’s own national identity.