Out of Nowhere

نویسندگان

چکیده

O presente texto se debruçará sobre o conjunto de obras ‘Out of Nowhere’ (do nada) do fotógrafo Miguel Rio Branco. Analisaremos sobretudo as imagens relativas à academia boxe Santa Rosa. Sua produção caracteriza tanto pelo singular uso da cor quanto interesse em personagens marginalizados. Em termos afirmativos, dá a ver relações temporais inauditas, cujas intensidades religam um passado esquecimento e presença corporal. Tal movimento prenuncia passagem ao que tentou denominar como “pós-fotografia”.

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Commentary on Martin & Pacherie. Out of nowhere: thought insertion, ownership and context-integration.

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ژورنال

عنوان ژورنال: Revista FAMECOS

سال: 2022

ISSN: ['1415-0549', '1980-3729']

DOI: https://doi.org/10.15448/1980-3729.2022.1.40912