Olga Picasso

Picasso the Muslim Or ,

ion in Byzantium and Its Exhibition,” Convivium 2, no. 2 (2015): 112–33. For a particularly problematic example, in which the analogical or comparative method often blurs into genealogical claims, see L. U. Marks, Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Cambridge, MA, 2010). 9. For a rare exception, see J. Jakeman, “Abstract Art and Communication in ‘Mamluk’ Architecture...

166 Olga Ruban

Mobility and reduction of industrial activity time is one of the major requirements raised to modern systems of automation. One of the most effective ways of achievement of this purpose is vertical integration with use of wireless technologies. The lab set – model of vertical integration for data gathering from the intellectual Profibus РА sensor, Profibus DP data transmission, controllers conf...

In Memoriam: Olga Taussky-Todd

838 NOTICES OF THE AMS VOLUME 43, NUMBER 8 O lga Taussky-Todd passed away in her sleep on Saturday, October 7, 1995, at the age of 89, at her home in Pasadena, California, where she was Professor Emeritus of Mathematics at the California Institute of Technology. She is survived by her husband of 57 years, the mathematician John (Jack) Todd, also Professor Emeritus of Mathematics at Caltech. He ...

When a Picasso is a "Picasso": the entry point in the identification of visual art.

We investigated whether art is distinguished from other real world objects in human cognition, in that art allows for a special memorial representation and identification based on artists' specific stylistic appearances. Testing art-experienced viewers, converging empirical evidence from three experiments, which have proved sensitive to addressing the question of initial object recognition, sug...

Some personal reminiscences of Olga Taussky-Todd