Nonstiky paint.

نویسندگان
چکیده

برای دانلود باید عضویت طلایی داشته باشید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Trouble with Paint: Blistering of Paint Films on Metal

Blistering, delamination, substrate deterioration Blistering, delamination, corrosion Blistering, reduced cohesion, film splitting, delamination Blistering, reduced cohesion, delamination, corrosion Blistering, intercoat delamination From components of paint film (e.g., inhibitive pigments, solvents, additives, etc.) From components of lower paint films (e.g., inhibitive pigments, solvents, add...

متن کامل

Paint Mesh Cutting

We present a novel progressive painting-based mesh cut out tool, called Paint Mesh Cutting, for interactive mesh segmentation. Different from the previous user interfaces, the user only needs to draw a single stroke on the foreground region and then obtains the desired cutting part at an interactive rate. Moreover, the user progressively paints the region of interest using a brush and has the i...

متن کامل

Superfluorescence of Photonic Paint

We consider the cooperative decay of incoherently pumped atoms in a disordered medium, where light undergoes multiple scattering. It is shown that the cooperation number, which determines the duration and amplitude of superfluorescent impulses, is given by the number of atoms along a diffusive trajectory of the light propagating through the medium. We also consider the problem of reflection of ...

متن کامل

Shapes, Paint, and Light

Shapes, Paint, and Light by Jonathan Tilton Barron Doctor of Philosophy in Computer Science University of California, Berkeley Professor Jitendra Malik, Chair A fundamental problem in computer vision is that of inferring the intrinsic, 3D structure of the world from flat, 2D images of that world. Traditional methods for recovering scene properties such as shape, reflectance, or illumination rel...

متن کامل

LYOTARD’S DANCE of PAINT

I recently experienced a difficult creative block, which led me to switch my painting medium from acrylic to watercolor. For many years I had poured acrylic paint as part of a processoriented method of making paintings. That is to say, the use of the human hand was minimized, the paintings allowed to “grow” on their own. But I had become bored with this method and felt limited by my technique. ...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

ژورنال

عنوان ژورنال: Jitsumu Hyomen Gijutsu

سال: 1984

ISSN: 1884-3417,0368-2358

DOI: 10.4139/sfj1970.31.403