Narradores-trapeiros, anarquivamento e fragmentação em romances de Benedicto Monteiro

The novels by Benedicto Monteiro Verde vagomundo (1972), O minosauro (1975) and A terceira margem (1983), written published in the context of Brazilian military dictatorship, employ their compositions technique montage fragmentation, common to other from 1970’s (Franco, 1998), they appear us non-conforming feature as disjointed fractals self-moving trees (Pacheco, 2020). Mobilizing diverse discursive materials collected society inserting them novel, narrator promotes a disorder logic Western, Cartesian, Enlightenment archive, he acts like garbage collector, Baudelairean ragpicker, put front an anti-archive. He collects presents reader with seemingly random collection radio transcripts, newspaper magazine news, songs lyrics, poems, technical reports, testimonials, material. In this paper, we analyze rag-picker anarchivation, anarchivation archive that shakes edifice Western reason, residues are ruins critically reconstruct discourse (according Seligmann-Silva, 2014). Anarchivation, gesture carried out narrators, appears aesthetic principle corresponds perception shock subject face rigging State vertigo caused violent, technocratic apparatus. After all, which were written, measure good evil subjugation subject's autonomy under rule whose policy is based on violence control (Todorov, 2008). Fragmentation ways disposing narrative correspond way perceiving himself, others world narrator, also disjointed, because adverse, degrading context.