Music, Art Installations and Haptic Technology

This paper presents some directions on the design, development and creative use of haptic systems for musical composition, performance digital art creation. research has been conducted both from an artistic a technical point view its ambition, over last decade, apart outcome, was to introduce field haptics communities based open, do it yourself—DIY ethos. The five presented here are not in any sense exhaustive principally series collaborative works more personal open-ended explorations with medium and, specifically, force-feedback interaction. They will be highlighted along information about interaction models their application created by author other colleagues. Those (i) Haptic Algorithms Systems; (ii) Performers Intercoupling; (iii) Interfaces as Part Artistic Practice; (iv) Electromechanical Sound Generation; (v) Media Art Installations. interdisciplinary still relatively minor position sound music computing agendas importantly, dimension is very rarely discussed. findings this aim indicate clarify potential pathways offer results context.