Minstrels Tradition of Çam??h? Region ‘Woman Minstrels’, “A??k Hatice Mihrap Sample”
نویسندگان
چکیده
Â??klar içinde ya?ad?klar? toplumun dünya görü?ünü, inançlar?n?, geleneklerini, sanat zevkini yans?tan ve ya?atan gelecek nesillere aktar?lmas?n? sa?layan halk sanatç?lar? olarak bilinmektedirler. Â??klar?n binlerce deyi?, düvaz, mersiye, miraçlama semahlar? belleklerinde tuttuklar? göz önüne al?n?rsa her birinin ayr? bir ara?t?rma konusu oldu?u görülecektir. 1950 y?llar?ndan itibaren kentli ya?am tarz?n?n teknolojik geli?imlerin etkisiyle icra aktar?m yönünden farkl?la?t??? da gerçektir. Buna ra?men Â??kl?k kurumu’nun çizgisini korudu?u görülmü?tür. Â??k Edebiyat?n?n Sivas’taki ilk temsilcilerine XVI.yy. rastlan?lm??t?r. Pir Sultan Abdal, Ali, Garip, Kul Hüseyin XVII.yy. Mustafa, Senem, Karao?lan XVIII. yy. Hayrani, Sefil Öksüz, Mehmet gibi. Yöre yüzy?llardan bu yana getirmi? de?i?ik kültürel gelenekler inançlar sayesinde, hala devam etmekte olan çok güçlü ?iiri gelene?ine sahiptir. Sivas ilinin Çam??h? bölgesi ise â??kl?k gelene?i, tav?r, üslup, folklorik zenginlik kad?n â??klar?n yo?unlu?u bak?m?ndan özel bölgedir. Kad?n â??klar yirminci yüz y?l?n ikinci yar?s?ndan konu i?lenmeye ba?lanm??t?r. Yörede yüzy?llard?r süregelen, sözlü kültür süreci birikimi kabullerin geçerli olmas? bunun genç ku?aklara aktar?lmas? halen kültürün canl? ?ekilde ya?amas?n? sa?lam??t?r. Bu çal??ma sürecinde gelene?inin temel unsurlar? mahlas alma, rüya sonras? â??k olma, usta ç?rak, At??ma kar??la?ma, saz çalma, Çams?h? köyleri kat?l?mc? gözlem etnografi temelli analizi ile elde edilmi? veriler kaynaklar toplanm??t?r, gelene?ini sürdüren kaynak ki?iler tespit edilerek, gelene?i uygulamalar? hakk?nda görü?meler yap?lm??t?r. Ba?ören köyünde ya?am?? köylüsü Celal ?ahin üvey o?lu Hac? ?ahin’le görü?ülüp alan çal??mas?nda bulunulmu? Badeli yörede farkl? adlarla an?lan (Â??k Fato?, K?z), Hatice Mihrap mahlas?yla bilinen ?airinin hayat? eserleri incelenmi?tir.
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ژورنال
عنوان ژورنال: Yegâh mûsikî dergisi
سال: 2021
ISSN: ['2636-8838']
DOI: https://doi.org/10.51576/yegah.901552